Kenneth Clark (1903–1983) was a British writer, historian, a leading specialist in the field of art history, and a figure virtually unique in the field of art studies in the 20th century. The youngest director of the London National Gallery,...
which he headed from 1934 to 1945, Clark established himself early on as an authoritative scholar. However, the idea of art history as knowledge for the chosen few was alien to him, which is why among the specialized works in Kenneth Clark's extensive legacy is a unique at the time series of documentary films "Civilization" (1969–1970), the scripts of which were later published as a book. The collection "Look at the Paintings" is also addressed by the author not only to art connoisseurs but also to those seeking help and mentorship. In sixteen essays, the esteemed scholar, with his characteristic incredible erudition and gentle humor, guides his readers along the path followed by his own eye and refined mind while examining a painting. The goal of this exercise is to show how much can be seen after the amateur's delight has passed.
Kenneth Clark (1903–1983) was a British writer, historian, a leading specialist in the field of art history, and a figure virtually unique in the field of art studies in the 20th century. The youngest director of the London National Gallery, which he headed from 1934 to 1945, Clark established himself early on as an authoritative scholar. However, the idea of art history as knowledge for the chosen few was alien to him, which is why among the specialized works in Kenneth Clark's extensive legacy is a unique at the time series of documentary films "Civilization" (1969–1970), the scripts of which were later published as a book. The collection "Look at the Paintings" is also addressed by the author not only to art connoisseurs but also to those seeking help and mentorship. In sixteen essays, the esteemed scholar, with his characteristic incredible erudition and gentle humor, guides his readers along the path followed by his own eye and refined mind while examining a painting. The goal of this exercise is to show how much can be seen after the amateur's delight has passed.
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