Three classic essays («A Brief History of Photography», «Paris – The Capital of the Nineteenth Century», «The Work of Art in the Age of Its Technological Reproducibility»), united by the theme of changes occurring in art as it transitions from...
unique to mass-produced and reproducible. Walter Benjamin (1892-1940) suggests looking at this process not from conservative positions, but, on the contrary, to see in its origins new forms of social existence of art, a new anthropology of the «mass viewer» and a new communicative function of art in the space of the bourgeois world.
Three classic essays («A Brief History of Photography», «Paris – The Capital of the Nineteenth Century», «The Work of Art in the Age of Its Technological Reproducibility»), united by the theme of changes occurring in art as it transitions from unique to mass-produced and reproducible. Walter Benjamin (1892-1940) suggests looking at this process not from conservative positions, but, on the contrary, to see in its origins new forms of social existence of art, a new anthropology of the «mass viewer» and a new communicative function of art in the space of the bourgeois world.
Be the first to know about our current discounts, offers and new products!
Check icon
You have added to your basket
Check icon
You have added to favourites
Sold out
The item is currently out of stock.
In stock
Available in warehouse. You will receive the exact delivery date from the operator after the order confirmation.
To order
The product is delivered directly from the publisher. The order processing time is up to 14 days, you will receive the exact delivery date from the operator after the order confirmation.
No circulation
Unfortunately, the print run of the book has ended, it is currently unavailable for order.