Everything in life, and therefore in art, requires renewal. In the 19th century, figures in the art world, including artists in Britain who would be called pre-Raphaelites, decided that contemporary art, which at that time was academicism – "hypocritical and...
artificial." They wanted to make art "free," and this meant: to be sincere, to accurately depict nature, and to avoid clichés. Three periods in the history of pre-Raphaelitism, as well as the work of artists who worked in the academic tradition but were not immune to the influence of the "powerful movement" of the pre-Raphaelites, are reflected in our book.
Everything in life, and therefore in art, requires renewal. In the 19th century, figures in the art world, including artists in Britain who would be called pre-Raphaelites, decided that contemporary art, which at that time was academicism – "hypocritical and artificial." They wanted to make art "free," and this meant: to be sincere, to accurately depict nature, and to avoid clichés. Three periods in the history of pre-Raphaelitism, as well as the work of artists who worked in the academic tradition but were not immune to the influence of the "powerful movement" of the pre-Raphaelites, are reflected in our book.
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