Viktor Tsoi and the Kino Group. Photographs. Memories

Viktor Tsoi and the Kino Group. Photographs. Memories

Natasha Vasilieva-Hall – a photographer of the Leningrad Rock Club since 1981 (membership card No. 13), the first editor of the underground self-publishing magazine "ROCKSI", starting from 1973 photographed friends of rock musicians – "Akvarium", "Alisa", "Zoo Park", "KINO", "Nautilus... Pompilius", "Pop Mechanics". In 1994, she received an invitation to work for New Generation magazine. She was the first Russian photographer to receive accreditation to shoot the Rolling Stones (Wembley Stadium concert, 1995). "Here, as in my previous books, you will find neither biography, nor discography, nor official history of the band. This book is my personal impressions of meeting the musicians. These are my memories, and they would be absolutely subjective if it were not for the photographs, which – by definition, from the word 'objective' – make my narrative an objective testimony of the era, through the eyes of a witness and participant." Natasha Vasilieva-Hall

Author: Наташа Васильева-Халл

Printhouse: AST

Series: Stars of the Era

Age restrictions: 16+

Year of publication: 2024

ISBN: 9785171657864

Number of pages: 256

Size: 217x168x22 mm

Cover type: твердая

Weight: 757 g

ID: 1681424

Natasha Vasilieva-Hall – a photographer of the Leningrad Rock Club since 1981 (membership card No. 13), the first editor of the underground self-publishing magazine "ROCKSI", starting from 1973 photographed friends of rock musicians – "Akvarium", "Alisa", "Zoo Park", "KINO", "Nautilus Pompilius", "Pop Mechanics". In 1994, she received an invitation to work for New Generation magazine. She was the first Russian photographer to receive accreditation to shoot the Rolling Stones (Wembley Stadium concert, 1995). "Here, as in my previous books, you will find neither biography, nor discography, nor official history of the band. This book is my personal impressions of meeting the musicians. These are my memories, and they would be absolutely subjective if it were not for the photographs, which – by definition, from the word 'objective' – make my narrative an objective testimony of the era, through the eyes of a witness and participant." Natasha Vasilieva-Hall

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