This book is the first complete publication of the classic monograph by Siegfried Kracauer (1889–1966) in Russian. In his large-scale work, the German sociologist of popular culture conducts a comprehensive study of black and white cinema through the prism of...
philosophy and media aesthetics. Immediately after its publication in 1960, the publication was criticized for being "old-fashioned". Kracauer does not pay attention to contemporary trends - hand-drawn films and color - analyzing only “black and white cinema, originating from photography,” in order to study in detail the most important aspects of the essence of cinema. For the author, the camera is a tool capable of capturing physical reality, and he views cinema as a means of representing the transitory material life, focusing on what it can offer to our perception of the world. This approach makes Krakauer's work a timeless book and allows the author to turn from its pages to the present moment at every stage of the development of art.
This book is the first complete publication of the classic monograph by Siegfried Kracauer (1889–1966) in Russian. In his large-scale work, the German sociologist of popular culture conducts a comprehensive study of black and white cinema through the prism of philosophy and media aesthetics. Immediately after its publication in 1960, the publication was criticized for being "old-fashioned". Kracauer does not pay attention to contemporary trends - hand-drawn films and color - analyzing only “black and white cinema, originating from photography,” in order to study in detail the most important aspects of the essence of cinema. For the author, the camera is a tool capable of capturing physical reality, and he views cinema as a means of representing the transitory material life, focusing on what it can offer to our perception of the world. This approach makes Krakauer's work a timeless book and allows the author to turn from its pages to the present moment at every stage of the development of art.
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