The executioner during the time of the French Republic meets the embodiment of death. A German submarine sets off to meet the incomprehensible. Newborn infants predict an impending apocalypse, while the art of taxidermy leads to the most unexpected results....
It is not advisable to reveal certain culinary secrets here; the most unexpected meetings occur at Christmas, and the desire to build a better and just world turns into a waking nightmare. What seems natural and safe can be unpleasantly surprising, people face monstrous choices, and time itself sometimes rises against those who decided to play with it. These are the worlds of Yaroslav Gzhendovich, the creator of The Lord of the Ice Garden, and anything is possible in them.
The executioner during the time of the French Republic meets the embodiment of death. A German submarine sets off to meet the incomprehensible. Newborn infants predict an impending apocalypse, while the art of taxidermy leads to the most unexpected results. It is not advisable to reveal certain culinary secrets here; the most unexpected meetings occur at Christmas, and the desire to build a better and just world turns into a waking nightmare. What seems natural and safe can be unpleasantly surprising, people face monstrous choices, and time itself sometimes rises against those who decided to play with it. These are the worlds of Yaroslav Gzhendovich, the creator of The Lord of the Ice Garden, and anything is possible in them.
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