Crystal House

Yulia Lukshina carefully and skillfully analyzes a person's tendency to believe in their own illusions and realize them, unfortunately, with unpredictable results. Therefore, the past in her stories easily flows into the present and future, harsh realism into domestic magic, hatred into love, and vice versa. The living and the dead, animals, humans, and even objects have an equal right to feelings and expressions. The heroes are not so much searching as affirming themselves in the surrounding world and space, only to paradoxically dissolve in it and turn into something new. And the stories of their lives and loves often depend on an unconscious randomness, like a long-forgotten photograph from an amusement park.