This book, translated into Russian in 1960, is the result of the author's many years of teaching experience. It widely uses empirical data: psychological experiments, achievements in physiology, psychology, and pedagogy. A large number of drawings, diagrams, charts, etc., are...
provided. All of this gives the book a foundation and factuality, making this work one of the main studies in the field of psychology of art to this day.
The book is intended for artists, specialists in the fields of art, architecture, design, etc., as well as for a wide range of readers. It can also be used for educational purposes.
This book, translated into Russian in 1960, is the result of the author's many years of teaching experience. It widely uses empirical data: psychological experiments, achievements in physiology, psychology, and pedagogy. A large number of drawings, diagrams, charts, etc., are provided. All of this gives the book a foundation and factuality, making this work one of the main studies in the field of psychology of art to this day.
The book is intended for artists, specialists in the fields of art, architecture, design, etc., as well as for a wide range of readers. It can also be used for educational purposes.
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