The Last Doctor

"The Last Doctor" — an unusual work by Anna Revyakina, opening a new series "Neoroman" by the KPD editorial office, designed for so-called "non-format", "non-narrative" or experimental prose.
The novella by the largest poetess of Donetsk, who has become one of the main symbols of the "Russian spring", seemingly contradicts the established literary image of Anna Revyakina. The text, crafted at the intersection of the best traditions of the 21st-century European psychological novel and elements of magical realism, where the heroine finds herself on the very edge of existence — both in an existential and a very literal, medical sense.
"The Last Doctor" can be read both as a psychoanalytic treatise, depicting, according to Alejo Carpentier, "heightened reality", and as a feminist letter, and as a metaphysical monologue of the "quivering creature" about the right to the "main", according to Andrei Platonov, life, directed towards the highest super-institutions.
However, the depth, problems, and the style of exposition that immediately exposes the essence of things entirely cancel the notorious "novella format"; but the matter is much more interesting and масштабнее — Revyakina employs the latest literary technologies, her own non-linear composition, and the method of hidden, internal narrative not to showcase her seemingly unlimited capabilities, but to create and demonstrate fresh and unusual potentials of contemporary Russian literature.
An acutely talented work, bright, candid, and paradoxical — fans of Anna Revyakina will discover their beloved author from the most unexpected side.