Julien The Great Image Has No Form, or Through Painting — to the Non-Object
The book of the outstanding French sinologist François Jullien, professor of philosophy at Sorbonne and director of the Institute of Marseille Grane, presents a comparative analysis of European and Chinese painting. According to the author, Chinese painting is a genuine philosophy...
of life that, unlike European art, does not strive for objectivity and does not wish to be an open "window to the world," intended for a single true point of view. The lack of form in the great images of Chinese art signifies a continuous movement and the flowing of forms into each other, erasing clear outlines of things and leveling the boundary between the seeing eye and the world.
The book of the outstanding French sinologist François Jullien, professor of philosophy at Sorbonne and director of the Institute of Marseille Grane, presents a comparative analysis of European and Chinese painting.
According to the author, Chinese painting is a genuine philosophy of life that, unlike European art, does not strive for objectivity and does not wish to be an open "window to the world," intended for a single true point of view.
The lack of form in the great images of Chinese art signifies a continuous movement and the flowing of forms into each other, erasing clear outlines of things and leveling the boundary between the seeing eye and the world.
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In stock
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Will be delivered to United States on 31 March (Tu):
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