Mikhail "His theme is the poet walking through the mountains of time," writes V. Shklovsky in the article "Mayakovsky in Cinema." The poet on screen, poet-screenwriter, poet - "not the author, but the subject of lyricism, addressing the world in...
the first person" (B. Pasternak). This approach was largely innovative, as film scholars see similarities between Fellini's "8 1/2" and Mayakovsky's "How Are You?" - a portrait of the creator-himself. Unfortunately, the screenplays from 1918 have not survived, our collection includes those dated from 1926 to 1928: "Children," "Layer and Match," "Heart of Cinema" and others.
Mikhail "His theme is the poet walking through the mountains of time," writes V. Shklovsky in the article "Mayakovsky in Cinema." The poet on screen, poet-screenwriter, poet - "not the author, but the subject of lyricism, addressing the world in the first person" (B. Pasternak). This approach was largely innovative, as film scholars see similarities between Fellini's "8 1/2" and Mayakovsky's "How Are You?" - a portrait of the creator-himself.
Unfortunately, the screenplays from 1918 have not survived, our collection includes those dated from 1926 to 1928: "Children," "Layer and Match," "Heart of Cinema" and others.
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