The author of this edition A. V. Brown (1899–1980) — one of the outstanding performers and educators, a student of G. Becker (in Berlin) and A. A. Brandukov (at the Moscow Conservatory), who raised a cohort of talented cellists. «Essays...
on Cello Playing Methodology» were first published in 1967 by the publishing house «Music» under the editorship of the renowned theorist and educator D. A. Blum. Currently, the book, which has become a bibliographic rarity, is in demand by many musicians. Its undeniable value lies in the fact that it summarizes the performing and pedagogical experience of such outstanding masters as K. Davydov, P. Casals, A. Brandukov, B. Struve, K. Mostras, G. Becker, and others.
The book gives rise to debates and discussions, encouraging musicians to think more, analyze, and delve into the area that is the foundation of their life activity.
The edition is primarily addressed to those cellists — educators and students — who strive to comprehend the process of mastering the instrument technically and find the shortest paths to developing practical skills.
CONTENTS:
Foreword Chapter 1. Sound production on string instruments. Sitting position and holding the cello Chapter 2. Right hand. Holding and guiding the bow. Transitions from string to string. Bow changes. Strokes. Chords Chapter 3. Left hand. Position and placement. Movement along the fingerboard. Fingering. Double notes. Harmonics. Vibrato Chapter 4. Fingering and intonation Conclusion Bibliography
The author of this edition A. V. Brown (1899–1980) — one of the outstanding performers and educators, a student of G. Becker (in Berlin) and A. A. Brandukov (at the Moscow Conservatory), who raised a cohort of talented cellists. «Essays on Cello Playing Methodology» were first published in 1967 by the publishing house «Music» under the editorship of the renowned theorist and educator D. A. Blum. Currently, the book, which has become a bibliographic rarity, is in demand by many musicians. Its undeniable value lies in the fact that it summarizes the performing and pedagogical experience of such outstanding masters as K. Davydov, P. Casals, A. Brandukov, B. Struve, K. Mostras, G. Becker, and others.
The book gives rise to debates and discussions, encouraging musicians to think more, analyze, and delve into the area that is the foundation of their life activity.
The edition is primarily addressed to those cellists — educators and students — who strive to comprehend the process of mastering the instrument technically and find the shortest paths to developing practical skills.
CONTENTS:
Foreword
Chapter 1. Sound production on string instruments. Sitting position and holding the cello
Chapter 2. Right hand. Holding and guiding the bow. Transitions from string to string. Bow changes. Strokes. Chords
Chapter 3. Left hand. Position and placement. Movement along the fingerboard. Fingering. Double notes. Harmonics. Vibrato
Chapter 4. Fingering and intonation
Conclusion
Bibliography
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