The dramatic masterpiece by Mikhail Alexeyevich Kuzmin "The Death of Nero" (1929) is little known to the reader. In narrow circles of Russian modernism enthusiasts, it has gained a reputation as an exciting yet mysterious statement, as Kuzmin resorts to...
Aesopian language while portraying Nero and his "double," the Russian writer Pavel Lukin. This edition pursues several goals, primarily to introduce the reader to a forgotten masterpiece. One interpretation of "The Death of Nero" is offered by the artist Tatyana Svirina, while another, in the form of an academic commentary, is provided by philologist Lada Panova. The book is intended for anyone interested in Kuzmin's work, Russian modernism, early Soviet literature, and the fundamentally forgotten yet still relevant dramaturgy.
The dramatic masterpiece by Mikhail Alexeyevich Kuzmin "The Death of Nero" (1929) is little known to the reader. In narrow circles of Russian modernism enthusiasts, it has gained a reputation as an exciting yet mysterious statement, as Kuzmin resorts to Aesopian language while portraying Nero and his "double," the Russian writer Pavel Lukin. This edition pursues several goals, primarily to introduce the reader to a forgotten masterpiece. One interpretation of "The Death of Nero" is offered by the artist Tatyana Svirina, while another, in the form of an academic commentary, is provided by philologist Lada Panova. The book is intended for anyone interested in Kuzmin's work, Russian modernism, early Soviet literature, and the fundamentally forgotten yet still relevant dramaturgy.
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