The innovative content and form of the book "Art since 1900" has already been recognized as a milestone in the history of art. For its latest edition, Hal Foster, Rosalind Krauss, Yves-Alain Bois, Benjamin H. D. Buchloh, and David Joselit...
- leading art historians and critics of our time - have refined and expanded their original texts, as well as supplemented the edition with an overview of the latest trends in contemporary art. As a result, readers are presented with the most complete critical history of art from the 20th to the early 21st century to date. One hundred thirty chapters, arranged chronologically, review key events in art year by year - whether it be the creation of an outstanding work, the publication of an important text, or the opening of a significant exhibition - forming not one, but many histories of art from 1900 to the present day. A thorough analysis is given to all turning points and breakthroughs of modernism and postmodernism, as well as antimondeernist reactions that occasionally presented alternative views on art and the world.
The innovative content and form of the book "Art since 1900" has already been recognized as a milestone in the history of art. For its latest edition, Hal Foster, Rosalind Krauss, Yves-Alain Bois, Benjamin H. D. Buchloh, and David Joselit - leading art historians and critics of our time - have refined and expanded their original texts, as well as supplemented the edition with an overview of the latest trends in contemporary art. As a result, readers are presented with the most complete critical history of art from the 20th to the early 21st century to date. One hundred thirty chapters, arranged chronologically, review key events in art year by year - whether it be the creation of an outstanding work, the publication of an important text, or the opening of a significant exhibition - forming not one, but many histories of art from 1900 to the present day. A thorough analysis is given to all turning points and breakthroughs of modernism and postmodernism, as well as antimondeernist reactions that occasionally presented alternative views on art and the world.
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