The groundbreaking content and form of the book "Art Since 1900" has already been recognized as a milestone in art history. For its latest edition, Hal Foster, Rosalind Krauss, Yves-Alain Bois, Benjamin H. D. Buchloh, and David Joselit - leading...
art historians and critics of our time - refined and expanded their original texts, as well as complemented the edition with an overview of the latest trends in contemporary art. As a result, readers are offered the most comprehensive critical history of art from the 20th to the early 21st century to date. One hundred thirty chapters, arranged chronologically, review key events in art year by year - whether it be the creation of an outstanding work, the publication of an important text, or the opening of a significant exhibition - forming not just one, but many histories of art from 1900 to the present day. A thorough analysis has been made of all pivotal moments and breakthroughs of modernism and postmodernism, as well as anti-modernist reactions that occasionally provided alternative views on art and the world.
The groundbreaking content and form of the book "Art Since 1900" has already been recognized as a milestone in art history. For its latest edition, Hal Foster, Rosalind Krauss, Yves-Alain Bois, Benjamin H. D. Buchloh, and David Joselit - leading art historians and critics of our time - refined and expanded their original texts, as well as complemented the edition with an overview of the latest trends in contemporary art. As a result, readers are offered the most comprehensive critical history of art from the 20th to the early 21st century to date. One hundred thirty chapters, arranged chronologically, review key events in art year by year - whether it be the creation of an outstanding work, the publication of an important text, or the opening of a significant exhibition - forming not just one, but many histories of art from 1900 to the present day. A thorough analysis has been made of all pivotal moments and breakthroughs of modernism and postmodernism, as well as anti-modernist reactions that occasionally provided alternative views on art and the world.
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