Spatial Constructions in Ancient Russian Painting

In the book «Spatial Constructions in Ancient Russian Painting» (1975), B. V. Raushenbach analyzes the principles of perspective transmission in the works of medieval artists, revealing common trends in spatial solutions through numerous illustrative examples and their close connection to intuitive visual perception. Compared to the commonly used concept of «perspective», the term «spatial constructions» allows for a broader coverage of the subject of research aimed at clarifying the geometric features of space transmission on the image plane.