1948. Kazan. The head of the supply department of the bakery industry trust, Frunzik Kazaryan, was shot dead in his apartment. As he left, the killer took valuables that the owner had obviously acquired through dishonest means. According to a...
neighbor, he saw Kazaryan on the day of the murder exiting the building, and when he went upstairs, he found Kazaryan’s unlocked apartment, but now without signs of life. Police Major Vitaly Shchelkuno concludes that the criminal skillfully took advantage of the external resemblance to the murdered man. Or did he forge his identity? Soon, the detective's guess receives an unexpected and terrifying explanation...
A unique opportunity to return to one of the brightest periods of Soviet history – the post-war time. Real people, real criminal cases, gripping plot twists.
Characters resembling iconic images from the film “The Meeting Place Cannot Be Changed.” The spirit of the time, tenderly preserved in many families. An unusually and realistically depicted “kitchen” of the daily work of the Soviet police.
1948. Kazan. The head of the supply department of the bakery industry trust, Frunzik Kazaryan, was shot dead in his apartment. As he left, the killer took valuables that the owner had obviously acquired through dishonest means. According to a neighbor, he saw Kazaryan on the day of the murder exiting the building, and when he went upstairs, he found Kazaryan’s unlocked apartment, but now without signs of life. Police Major Vitaly Shchelkuno concludes that the criminal skillfully took advantage of the external resemblance to the murdered man. Or did he forge his identity? Soon, the detective's guess receives an unexpected and terrifying explanation...
A unique opportunity to return to one of the brightest periods of Soviet history – the post-war time. Real people, real criminal cases, gripping plot twists.
Characters resembling iconic images from the film “The Meeting Place Cannot Be Changed.” The spirit of the time, tenderly preserved in many families. An unusually and realistically depicted “kitchen” of the daily work of the Soviet police.
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