Musician on Stage: How to Stop Worrying and Make Your Performance Unforgettable
The tendency to feel anxious before public performances is common to all people. For musicians, these fears are compounded by the responsibility of not forgetting their part and playing it with the right emotions and rhythm. Experienced teacher Maria Matoch...
shares insights on how to overcome psychological and physiological barriers before important exams, competitions, and concerts. • What method will allow you to finally stop forgetting notes while playing? • What are the “anchors” in pieces and where can they be found? • Is it necessary to create “sterile conditions” of silence during rehearsals? • And how can a voice recorder and camera become indispensable allies for important performances? Each method is illustrated with interesting examples from the author's personal teaching practice. The book also contains numerous visual illustrations for a more vivid presentation of exercises and practices. Maria Sergeyevna Matoch is a qualified teacher of guitar. She graduated from the Minsk Musical College named after Glinka and the Belarusian State University of Culture and Arts in the guitar class. She worked for 20 years at the Children's Art School No. 1 named after L. P. Aleksandrovskaya in Minsk. Among her students are laureates of republican and international competitions, including winners at festivals and competitions in Poland and Spain. The book is addressed to teachers of music schools, studios, beginning performers, and anyone interested in learning about the work of musicians hidden from the public.
The tendency to feel anxious before public performances is common to all people. For musicians, these fears are compounded by the responsibility of not forgetting their part and playing it with the right emotions and rhythm. Experienced teacher Maria Matoch shares insights on how to overcome psychological and physiological barriers before important exams, competitions, and concerts. • What method will allow you to finally stop forgetting notes while playing? • What are the “anchors” in pieces and where can they be found? • Is it necessary to create “sterile conditions” of silence during rehearsals? • And how can a voice recorder and camera become indispensable allies for important performances? Each method is illustrated with interesting examples from the author's personal teaching practice. The book also contains numerous visual illustrations for a more vivid presentation of exercises and practices. Maria Sergeyevna Matoch is a qualified teacher of guitar. She graduated from the Minsk Musical College named after Glinka and the Belarusian State University of Culture and Arts in the guitar class. She worked for 20 years at the Children's Art School No. 1 named after L. P. Aleksandrovskaya in Minsk. Among her students are laureates of republican and international competitions, including winners at festivals and competitions in Poland and Spain. The book is addressed to teachers of music schools, studios, beginning performers, and anyone interested in learning about the work of musicians hidden from the public.
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