Николай Николаевич и другие сочинения

Nuolaida

Yuz Aleshkovsky (1929–2022) — a Russian writer and poet, author of popular "camp" songs that were not performed on stage, yet gained fame among the people; they were fondly loved and sung even without knowing the author's name. Aleshkovsky is... also the author of works such as "Nikolai Nikolaevich", "Camouflage", "Kangaroo", and others, which also won the love of the people, although in the writer's homeland, most of them were published only years after their creation. According to Joseph Brodsky, in Aleshkovsky, we deal with a unique type of writer "as an instrument of language"; there are few such examples in Russian literature: Nikolai Gogol, Andrey Platonov, Mikhail Zoshchenko... "The sentimental saturation has been pushed to the limits of mockery, the fiction — to the phantasmagorical," wrote Brodsky, he is a "true Orphic: a poet who has completely subordinated himself to language and has received as a reward from its generosity the gift of revelation and Homeric laughter".

Skaityti daugiau

Autorius: Juz Aleškovskij

Leidykla: Azbuka

Serija: Abėcėlė-klasika

Amžiaus ribos: 18+

Išleidimo metai: 2024

ISBN: 9785389251632

Puslapių skaičius: 576

Dydis: 180h115h22 mm

Viršelio tipas: Mjagkaja obložka

Svoris: 280 g

ID: 1673244

Yuz Aleshkovsky (1929–2022) — a Russian writer and poet, author of popular "camp" songs that were not performed on stage, yet gained fame among the people; they were fondly loved and sung even without knowing the author's name. Aleshkovsky is also the author of works such as "Nikolai Nikolaevich", "Camouflage", "Kangaroo", and others, which also won the love of the people, although in the writer's homeland, most of them were published only years after their creation. According to Joseph Brodsky, in Aleshkovsky, we deal with a unique type of writer "as an instrument of language"; there are few such examples in Russian literature: Nikolai Gogol, Andrey Platonov, Mikhail Zoshchenko... "The sentimental saturation has been pushed to the limits of mockery, the fiction — to the phantasmagorical," wrote Brodsky, he is a "true Orphic: a poet who has completely subordinated himself to language and has received as a reward from its generosity the gift of revelation and Homeric laughter".

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