Главное в истории исламского искусства. Ключевые произведения, эпохи, династии, техники

Главное в истории исламского искусства. Ключевые произведения, эпохи, династии, техники

Art historian and author of the book "The Magnificent Century of Ottoman Art" Asya Gimborg continues the popular series "The Main Thing in History" with the long-awaited new release "The Main Thing in the History of Islamic Art".

The book introduces... readers to the development of Islamic art from the 7th century to the present day. Inside the cover are collected key achievements of an original culture with its unique artistic language: magnificent palaces and mosques; exquisite miniatures and calligraphy; famous carpets and textiles, ceramics and luxury items made from precious metals and stones, ivory and rock crystal, and much more.

Unlike European counterparts, the book covers not only traditional regions (the Middle East, Spain, North Africa, India, and Central Asia) but also discusses the history of the development of Islamic art in China, Southeast Asia, and Russia.

Skaityti daugiau

Autorius: GIMBORG A.

Publisher: Mann, Ivanov i Ferber

Serija: Svarbiausia istorijoje

Amžiaus ribos: 16+

Išleidimo metai: 2024

ISBN: 9785002145003

Puslapių skaičius: 224

Dydis: 148×210 mm mm

Viršelio tipas: Tverdij pereplet

Svoris: 533 g

ID: 1664587

Art historian and author of the book "The Magnificent Century of Ottoman Art" Asya Gimborg continues the popular series "The Main Thing in History" with the long-awaited new release "The Main Thing in the History of Islamic Art".

The book introduces readers to the development of Islamic art from the 7th century to the present day. Inside the cover are collected key achievements of an original culture with its unique artistic language: magnificent palaces and mosques; exquisite miniatures and calligraphy; famous carpets and textiles, ceramics and luxury items made from precious metals and stones, ivory and rock crystal, and much more.

Unlike European counterparts, the book covers not only traditional regions (the Middle East, Spain, North Africa, India, and Central Asia) but also discusses the history of the development of Islamic art in China, Southeast Asia, and Russia.

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